Gilgamesh

Homosexuality is a modern construct, and using it to interpret the very few biblical and ancient Near Eastern texts that speak of male-to-male sexual interaction would be anachronistic. Masculinity and the male role in society provide a better lens to examine male relationships.

Like many prophets, a nazirite once characterized holy people living on the periphery of society, with wild flowing hair to mark their separate status. Some were divine messengers, like the prophets Elijah and Samuel. Others were warriors, like Samson, a wild-man warrior reminiscent of the Sumerian hero Enkidu. The priestly legislation neutralizes the nazir, making the hair itself the focus.

In the Gilgamesh epic, Utanapishti tells Gilgamesh the story of the great flood and how he survived it. Scholars have often held that this story lies behind the biblical account of Noah and the flood. However, a good case can be made that an even more ancient tale, the Atrahasis epic, on which the flood story in Gilgamesh draws, is the source of the biblical flood story.

Habakkuk 3 is framed as a lament, in which the psalmist asks God to save him and his people from danger. The core of the psalm is a divine theophany, in which YHWH is described as coming from afar to battle his enemies in classic ancient Near East mythological fashion.

Praise of heroic death is a trope in ancient Near Eastern and Greek texts, and in modern commemorations such as Israel’s Yom Hazikaron and America’s Memorial Day, yet it is conspicuously absent in the Bible. Why?