Ezekiel pictures Eden as a garden filled with precious stones—the same stones that adorn the high priest’s breastpiece. Across the ancient Near East, gods inhabit a world of jewel-bearing trees, gemstone mountains, and temples of lapis and gold. By wearing these stones when he enters YHWH’s sanctuary, the high priest dresses for the divine realm.
Jeroboam makes two golden calves, and sets them up at Dan and Bethel. Post-exilic biblical scribes revised this archetypal act of apostasy by introducing a new version of the same sin set in a more ancient period: Aaron's Golden Calf at the foot of Mount Sinai.
In the Torah, Aaron, Miriam, and Moses are siblings; Aaron is the biological ancestor of all priests, Moses is the redeemer of Israel from Egypt, and Miriam, their sister, leads the Israelite women in song. But what can we reconstruct about who these ancient figures may have been?
The story of the flowering staff in its current form and context, confirms YHWH’s previous designation of the Aaronides as priests. Originally, however, the story presented YHWH’s selection of the tribe of Levi as his priestly caste.
The biblical portrait of Miriam can leave the modern reader with a lingering bitterness, but a closer reading highlights her prophetic role, and her willingness to challenge the social norms and pursue an alternative, redemptive course.
Is Moses raised by an Egyptian princess? Does he kill an Egyptian man? Does he run away to Midian and marry the daughter of a Midianite priest? Not according to P, which cleanses Moses of these problematic elements.
The significance—or lack thereof—of family pedigree in matters of individual excellence and righteousness.
