ANE Myths

The two creation stories in Genesis (1 and 2–3), and the hidden creation account in Psalms and the Prophets, can be read without their ancient Near Eastern context. But to understand what the biblical authors are responding to, revising, and arguing against, we need to read them alongside four Mesopotamian stories—Atrahasis (ca. 1700 B.C.E.), Enuma Elish (late 2nd millennium B.C.E.), Adapa (early 2nd millennium B.C.E.), and the Epic of Gilgamesh (2nd millennium B.C.E.)—along with the Canaanite Baal Cycle (14th–13th century B.C.E.).

Ezekiel pictures Eden as a garden filled with precious stones—the same stones that adorn the high priest’s breastpiece. Across the ancient Near East, gods inhabit a world of jewel-bearing trees, gemstone mountains, and temples of lapis and gold. By wearing these stones when he enters YHWH’s sanctuary, the high priest dresses for the divine realm.

Standing in the Transjordan, Moses describes how the previous inhabitants had been the frightening, gigantic Rephaim (lit. “healers”). Elsewhere in the Bible, rephaim are powerless shades, living in the underworld, Sheol. Greek epic also preserves a memory of Meropes as a population of giants living on the island of Cos, and the term meropes also refers to “healers” who serve as priests of the god Asklepius. In both cases, these memories derive from the West Semitic Rapi’ūma, deified royal ancestors invoked in Ugaritic rituals to bless king and land.

Ten lavers, mounted on wheels, and decorated with images of lions, bulls, and cherubs, stood on either side of the bronze sea in the Jerusalem Temple’s courtyard. Are these the “chariots of the sun” (2 Kings 23:11) that Josiah’s reform purges from the Temple?

In the courtyard of the First Temple, in addition to ten lavers, stood a massive bronze basin of water, supported by twelve bronze bulls. What was its function?

At creation, humans and animals were alike—plant-eating, unclothed, and speaking the same language; God even brings the beasts to Adam to find a fitting companion. Everything changes when Adam and Eve eat from the tree of knowledge of good and evil. What kind of story is this? Remarkable parallels with the Mesopotamian Gilgamesh epic show how the biblical author crafted an Israelite wisdom story about the end of humankind’s infancy.

Read in light of the Sumerian King List, Adam’s genealogy (Genesis 5) reveals a gender-neutral line, conceived without a female counterpart. Noah, like the Mesopotamian flood survivor Ziusudra, emerges as the first “son,” inaugurating a new line of gendered humanity.

The biblical authors polemicize against the Mesopotamian Atrahasis epic, not only in Noah’s flood story, but in the account of the exodus as well.

Moses and Horus are hidden in thickets on the Nile by their mothers; Sargon is placed in a wicker basket and cast away on the Euphrates by his. Yet each survives to become a ruler of their people. The Akkadian legend tells of Sargon of Akkad, 3rd millennium B.C.E., but it serves as an allegory for Sargon II the 8th-century king of Assyria. Similarly, Exodus narrates the story of Moses, who freed Israel from Egypt, but serves as an allegory for King Hezekiah of Judah 8th century B.C.E., who struggled to navigate between Egypt and Assyria.

Is there a common conception behind the “lights” of the Priestly redactors, the “flaming wheels” of the Ionian philosophers, and the “lamps” of the Mesopotamian commentators?

Does a woman simply receive and nourish a man’s seed? Or does she also produce her own seed to conceive a child?

The creation accounts, the Garden of Eden, the innovations and life spans of early humans, and the flood story are best understood as an Axial Age critique of polytheistic, mythical cosmology.

The new year and Akitu festivals in Babylonia were celebrated in the spring, during which the high priest of Marduk’s Esagil temple would read the Babylonian creation story, Enuma Elish. This narrative tells how the young god Marduk became king of the gods by saving them from Tiamat and her army of monsters.

Enuma Elish describes the Babylonian god Marduk’s plans for a city with a single tower that will serve as his seat of power and as the nexus of all gods. The story of Babel responds to this myth by having YHWH disrupt the construction and decentralize Babylon.

Seeking a permanent connection with their god, ancient Mesopotamians would place votive statues of themselves in front of their god. Psalm 27 represents the Israelite alternative: the spoken request to see YHWH face-to-face uses words, not statues, to give the petitioner a refuge with God that endures even after departing the Temple.

The Tower of Babel story (Genesis 11:1-9) is not only about the downfall of Babylon or the origin of languages. It is a reflection on how languages work differently, on the limitations of one language to convey the sense of another, and the insufficiency inherent in translation.

In the Gilgamesh epic, Utanapishti tells Gilgamesh the story of the great flood and how he survived it. Scholars have often held that this story lies behind the biblical account of Noah and the flood. However, a good case can be made that an even more ancient tale, the Atrahasis epic, on which the flood story in Gilgamesh draws, is the source of the biblical flood story.

Deuteronomy uses unusual parallel terms “the shegar of your herd and the ashtorot of your flock” to describe the offspring of livestock. These are names of the ancient West Semitic fertility goddess known as Ashtoret or by her less familiar bi-name Sheger. Her consort is (sometimes) the god Ashtor. What do we know about these deities and what do they have to do with livestock?

What does it mean for the rainbow to be a sign of God’s covenant with life on earth, and how does this compare with other concepts of the rainbow in the ancient world?‍

Babies, birds, angels, even Torah scholars, tradition has interpreted cherubs in various ways, but what was their function on the ark?