Prof. Rabbi Dalia Marx is Professor of Liturgy and Midrash at Hebrew Union College-JIR (Jerusalem). She earned her Ph.D. at the Hebrew University and her rabbinic ordination at HUC-JIR (Jerusalem and Cincinnati). Among her publications are When I Sleep and When I Wake: On Prayers between Dusk and Dawn and A Feminist Commentary of the Babylonian Talmud. Her website is: www.dalia-marx.com.
Last Updated
February 9, 2022
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Written while the Second Temple was standing, and the Yom Kippur sacrificial service still performed, Ben Sira’s poem traces the history of the world through Simon son of Johanan, the High Priest in his time, thus expressing the cosmic importance of the Temple and its priesthood. The poem appears to be the antecedent or literary inspiration of the Yom Kippur Seder Avodah’s framing liturgy.
Written while the Second Temple was standing, and the Yom Kippur sacrificial service still performed, Ben Sira’s poem traces the history of the world through Simon son of Johanan, the High Priest in his time, thus expressing the cosmic importance of the Temple and its priesthood. The poem appears to be the antecedent or literary inspiration of the Yom Kippur Seder Avodah’s framing liturgy.
Arguably, the highlight of the prayer service on Yom Kippur is the Seder Avodah, a type of piyyut (liturgical hymn) that poetically reenacts in every detail the ritual service performed by the high priest on Yom Kippur in the Jerusalem Temple. But why do these poems begin with the creation story?
Arguably, the highlight of the prayer service on Yom Kippur is the Seder Avodah, a type of piyyut (liturgical hymn) that poetically reenacts in every detail the ritual service performed by the high priest on Yom Kippur in the Jerusalem Temple. But why do these poems begin with the creation story?
With a Close Look at Its Biblical Sources
With a Close Look at Its Biblical Sources
A look at the Torah and Mishnah’s treatment of the mitzvah of bringing bikkurim (first fruits) to the Temple and its associated requirement to recite a historical confession through five prisms: phenomenological, historical, anthropological, feminist and liturgical.
A look at the Torah and Mishnah’s treatment of the mitzvah of bringing bikkurim (first fruits) to the Temple and its associated requirement to recite a historical confession through five prisms: phenomenological, historical, anthropological, feminist and liturgical.
